She began her music studies as a student of Ágnes Dobszay and Tamás Bubnó, learning to play the violin and piano in addition to singing. She was a member of the Budapest Singing School choir. In 2013, she was accepted into the Faculty of Arts at the University of Pécs, where she earned her bachelor's and master's degrees as a student of Bernadett Wiedemann.
During her university years, she sang the role of Arnalta in Monteverdi's L'incoronazione di Poppea, the role of Public Opinion in Offenbach's Orpheus in the Underworld, the Third Lady in Mozart's The Magic Flute in several productions, Olga in Tchaikovsky's Eugene Onegin, and she made her debut on the stage of MÜPA in the role of the Sorceress in Purcell's opera Dido and Aeneas. She sang the alto solo in Mozart's Requiem and in the world premiere of István Márta's Tér-dő (Space-Time).
In 2015, she won first prize at the III. International "Lav Mirski" Singing Competition in Eszék.
In 2016, she won third prize in the first age group at the Centenary IX. International József Simándy Singing Competition in Szeged.
In recognition of her outstanding performance, the management of the University of Pécs awarded her a certificate.
In 2018, she won the Scholarship for Young Talents of the Nation.
While still a final-year student, she was invited to audition for the title role in Bizet's Carmen, which premiered in 2020 on the main stage of the Pécs National Theater.
In 2022, she made her debut at the Hungarian State Opera House in the role of Grimgerde in Wagner's Die Walküre. She then appeared on stage as Pamela in Auber's Fra Diavolo, directed by Miklós Szinetár. She sang the first servant in Strauss' Elektra, in Puccini's Manon, the role of a Musician, and Nancy Tang in John Adams' opera Nixon in China, directed by András Almási-Tóth.
